I've actually been watching ME TV in the mornings before work because the news sucks. Leave It To Beaver and My Three Son's has been really entertaining.
The little rascals Twilight Zone The invaders Danger man (the reason why the prisonner get in the village) Les chevaliers du ciel (the old french version) Zorro Supekutoruman (or Spectreman) Czterej pancerni i pies (or a dog and 4 tank crew)
All 36 episodes of the first season were filmed in black and white and were later colorized for syndication.
I always loved the b&w, i have a lot of thing that were made before my birth... With the all digital culture a lot of thing disapear (music and video) you can't imagine how many "monument" are just unaviable now due to internet culture.
With my dad in the military, the family moved around quite a bit. Or, sometimes my mother, older brother and myself would live with my grandparents. In almost every case, I managed to find some low-rent UHF station that would always show programs from the 1950s and 60s. (And, I thank The Creator for them doing so.) Things like, Dark Shadows The Wild, Wild West Have Gun, Will Travel (...which was a title I couldn't quite grasp the meaning of as a child.) Maverick The Twilight Zone Wanted Dead Or Alive The Beverly Hillbillies Secret Agent The Untouchables Alfred Hitchcock ...and others I can't remember the names of. (There were a lot of Westerns.) Every time we moved, I'd find my Dark Shadows episode sequence in complete chaos. (Probably saw the first season 38X, or so.) I remember watching, and absolutely loving, The Three Stooges and Laurel & Hardy, but I don't remember them as actual weekly programs, but rather something a regional, afternoon variety-show would throw in between cartoons. I find what passes for comedy today on television appalling by comparison. All this old-skool TV exposure gave me a distinct advantage when encountering certain Trivial Pursuit categories when I grew older. I've always found that the way both B&W television, and, most especially films, are illuminated is nothing short of genius. The reliance on proper lighting to convey the range of tones within a scene had to be challenging. Perhaps a lost art by now.
The Man from U.N.C.L.E. The Outer Limits Voyage to the Bottom of the Sea The Rat Patrol Car 54, Where Are You? I Spy Get Smart